Between the Covers
One great benefit to being an indie author is other indie authors. In general, the community is very open and friendly. During the Orangeberry Summer Splash Blog Hop, I crossed paths with Christopher Starr, author of ‘Road to Hell‘. He was kind enough to post his review of my book on his blog, then he started asking questions. I answered, then sent a few questions of my own. The exchange went on for more than a month and thus you have ‘Between the Covers’, a candid conversation in how writers write. Below is the first of five posts; be sure to follow Christopher’s blog to catch the next post later this week!
Terra: I wrote the first book not exactly planning on turning it into a series. Once it was complete, and especially after that cliffhanger, I kind of had to continue. I also never expected to enjoy writing so much. The first book was a work in progress for 10+ years, and went through many major revisions. The second book took only two months to write. The majority of the third was written in a month (thanks to NaNoWriMo), and I am now writing the fourth and final book of the series. So far, no breaks in between. How about you?
Christopher: It’s funny, our experience is surprisingly similar. It took me over 7 years to write The Road to Hell. And it went through about 4-5 rewrites, a change in main character, a change in POV, about 150 new pages and some pretty merciless cutting. Writing it was more an “I wonder if I can” process than an exercise in series writing. I do have an advantage though: I know which angels are going to live and the Bible gives me some pretty rigid plot points. I’m lucky in that respect.
Christopher: I know exactly what you mean about writing a novel and then learning to write. The biggest thing is the discipline for me. I like to think that I’m all creative and the inspiration will strike me at some time and I’ll create this magical treatise the world will unite behind.
But that shit doesn’t happen.
So I learned the disciplined portion of it and the value of the rewrite. Get it out. Put words on the page. Advance the story paragraph by excruciating paragraph. Eventually, my right brain takes over and kicks in, finding pieces of the story I didn’t know existed. I’m learning that’s part of the process too.
How do you manage continuity?
Terra: I am laughing out loud right now because I really don’t think there was good continuity. Even after the first and second book were published, I was going back and making changes in order to fit the storyline of the next books. I really like to come full circle, so to speak, in my books, and make sure there are no loose ends. So in writing the fourth and final book (which has been probably the most difficult to write), I am trying to tie everything up. This means revisiting issues that maybe weren’t mentioned since the first book. And you?
Christopher: Continuity is, for me, a bitch. I figure the first book is set in stone—I can’t modify that story at all. What I keep doing is going back to the original, making sure I maintain the events or words. I never wanted to be one of those “spreadsheet authors”—you know the ones who build character sheets and plots through spreadsheets—but I understand the value of it. I guess it beats flipping back into my old book to try and remember what I said or the color of someone’s eyes. I’m currently working on my spreadsheet…
Please post questions of your own! Christopher and I will both be available to answer them!